Just enough
theory
Question: How
do you stop a guitarist from playing?
Answer: Put
music in front of him.
That’s me. I can’t
read music and I doubt I ever will. However, over the last three
years, I’ve learned just enough about music theory to be dangerous.
What I’ve found is that by understanding some basic concepts, I’ve
been able to find that next chord I was always searching for.
The first step in
understanding is that most songs are played in a single key and that
the chords come from that key. The formula (i.e. what order)
you use for the chords is what make up the song. For example, blues
often uses the 1, 4, and 5 chords. If you’re playing blues in E, the
chords are E, A, B (or B7). The blues progression in the key of C,
uses C, F, and G.
If you can understand
the table below, you’ve got the majority of theory you need.
W
W
H
W W
W
H
|
1 (root)
|
2 |
3 |
4 |
5 |
6 |
7 |
8
(root) |
|
Major |
minor |
Minor |
Major or
Dominant |
Major |
Minor |
Diminished |
Major |
Here’s how to
understand this table:
Intervals
Guitar frets are in
half (H) step intervals. In other words, moving up one fret is
moving up a half (H) step. Moving up 2 frets is a whole (W) step.
Notes and
intervals
On a guitar, the open
string and the 12th fret on the same string are the same
note (just different octave). If you look at the A string, the notes
are:
|
FRET |
Open |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
|
NOTE |
A |
A# or
Bb |
B |
C |
C# or
Db
|
D |
D# or
Eb |
E |
F |
F#
or
Gb |
G |
G#
Or
Ab |
A |
To go from A to B is
a whole (W) step. To go from A to A# (or Bb) is a half (H) step.
Also, note that for B
to C and E to F, there is only a half step. There is no B# (Cb) or E# (Fb).
Major scale
The major scale has
the following intervals, W W H W W W H. (do, rae, me fae, so la, te,
do)
Applying this
formula, the notes in the A major scale are: A, B, C#, D, E, F#, G#,
A. As seen on the guitar the A scale looks like:
|
Open |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
|
A |
|
B |
|
C# |
D |
|
E |
|
F# |
|
G# |
A |
Practice tip -
On any string of the guitar, apply the formula W, W, H, W, W, W,
H. In other words pick
the string: Open, 2, 4, 5, 7, 9, 11, 12. You’ve just played a major
scale.
Numbers for the
Notes
We describe the notes
in a scale by their numbers (1 – 8).
|
|
A |
|
B |
|
C# |
D |
|
E |
|
F# |
|
G# |
A |
|
Note # |
1 |
|
2 |
|
3 |
4 |
|
5 |
|
6 |
|
7 |
8 |
When your playing in
the Key of A, A is the 1 note, B is 2… You get the idea.
Chords in the major
scale
To find chords that
will work in the key of A, take the root notes from the scale and
use the chord type
from the table below:
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
A |
Bm |
C#m |
D |
E |
F#m |
G#dim |
A |
|
Major |
minor |
Minor |
Major |
Major or
Dom |
Minor |
Diminished |
Major |
The 1, 4 and 5
chord are major chords (A, D, E).
The 2, 3 and 6
chords are minor (Bm, etc.)
The
7th chord is diminished
Below is a listing of
the chords in the major scale for all keys. Use the table by following a
row:
|
Key |
I |
ii |
iii |
IV |
V |
vi |
vii |
|
C |
C |
Dm |
Em |
F |
G |
Am |
Bdim |
|
Db |
Db |
Ebm |
Fm |
Gb |
Ab |
Bbm |
Cdim |
|
D |
D |
Em |
F#m |
G |
A |
Bm |
C#dim |
|
Eb |
Eb |
Fm |
Gm |
G# |
A# |
Cm |
Ddim |
|
E |
E |
F#m |
F#m |
A |
B |
C#m |
D#dim |
|
F |
F |
Gm |
Am |
Bb |
C |
Dm |
Edim |
|
Gb |
Gb |
Abm |
Bbm |
B |
C# |
D#m |
Fdim |
|
G |
G |
Am |
Bm |
C |
D |
Em |
F#dim |
|
Ab |
Ab |
Bbm |
Cm |
Db |
Eb |
F |
Gdim |
|
A |
A |
Bm |
| |